The collaboration between the Graffiti Institute and Floating Museum presents a thought-provoking project that merges large-scale photographs of expressway structures with vibrant graffiti art. By juxtaposing these elements, Kane One aims to ignite discussions surrounding the underutilized public space and the complex relationship between graffiti art and public perception. Through a visually captivating medium, the project explores critical topics that shape the urban landscape. It delves into issues such as the limited access to public space for independent artists, the stigma attached to graffiti as an art form, the ban on the sale of spray paint in Chicago, and the scarcity of spaces where graffiti artists can practice their art without facing criminalization. By incorporating graffiti onto the photographs, the project encourages viewers to engage in dialogue about these pertinent themes. It challenges preconceived notions and fosters a deeper understanding of the significance of public spaces as creative outlets and catalysts for social change. This project reimagines the potential of underutilized public spaces, stimulates conversations about graffiti’s place within society, and advocates for the recognition of the artistic value it holds. Through this collaboration, the Graffiti Institute and Floating Museum aim to inspire conversations, break down barriers, and promote the importance of embracing diverse forms of artistic expression within our communities.