Rozana Montiel

Mexico City, Mexico and Paris, France

Rozana Montiel (born 1972, Mexico City). Architect and founder of Rozana Montiel Estudio de Arquitectura (REA), based in Mexico City. Her practice focuses on architectural design and the artistic rethinking of spaces and the public domain. She understands public space as a human right and a field for imagination and transformation. Montiel’s work has been featured in the Venice Biennale (2016, 2018, 2021, 2025) and other international exhibitions in São Paulo, Rotterdam, Lima, and Versailles. Her accolades include the Enrique Yáñez Social Practice Prize (2024), the Luis Barragán Award (2023)—as the first female recipient—, the International Women Architects Prize (2022), and the Global Award for Sustainable Architecture (2019). She also received the Moira Gemmill Prize (2017), the MCHAP Emerging Architecture Prize (2018), and the Emerging Voices Award (2016). She currently teaches at the École Supérieure d’Architecture, and she serves as the Artistic Director of the dieDAS Design Akademie in Saaleck, Germany (2025–2027). She holds degrees from Universidad Iberoamericana (Mexico) and the Universitat Politècnica de Catalunya (Spain). She has taught at leading institutions including Cornell, IIT, Columbia GSAPP, UC Berkeley, and the École Spéciale d’Architecture in Paris.

2025 Biennial Project

Project Overview

2025 Biennial Project

The installation emerges from Art if Act, a compilation of ideas that move from drawing to full-scale artifacts and the construction of imagined devices. It unfolds as a collection of collections—a glossary of words, an atlas of artifacts from diverse cultures, and a journal of everyday machines—together forming a way to see, make, and transform the ordinary into the extraordinary. Through this assemblage, the work calls us to act: to see, imagine, and remake the world with what is at hand. The Glossary turns language into a tool for making. The Atlas presents artifacts from whimsical contraptions to communal infrastructures, tracing scales from the human body to the urban landscape. The Collection documents everyday artifacts in Mexico, while the Journal reflects on their social and material implications. The Artifact focuses on objects made within the office, highlighting experimentation, fabrication, and reuse. The Artifact Ghost Net / Net Work, a portable kitchen-like device, recycles abandoned fishing nets and microplastics into a new material called Sea Floor, showing how making can turn waste into resources.

Previous Work

Project Overview

2025 Biennial Project

Project Overview

Art If Act

Project Overview

Chicago Architecture Biennial